Tonic Sol-fa

Hi folks,

In this post I’ll talk about Tonic Sol-fa.

Tonic sol-fa is a tool for teaching sight singing, invented boy Sarah Ann Glover.

It is based on movable do solfège.

You use it to learn the notes of the major scale, which is one of the most commonly used music scales, especially in Western music.

There are 7 notes in the major scale in the key of C. C major scale is the easiet scale to learn because it has all white keys.

The notes of the C major scale are C D E F G A and B.

The names we give to these keys in tonic sol-fa are:

do re mi fa sol la and ti

or in shorter form we call them:

d r m f s l t

To remember these you can use the song Do-Re-mi

It goes as follows:

Doe – a dear, a female dear (do)
Ray – a drop of golden sun (re)
Me – a name I call myself (mi)
Far – a long long way to run (fa)
Sew – a needle pulling thread (sol)
La – a note to follow so (la)
Tea – a drink with jam and bread (ti)
and that brings us back to to Doe.

See Do-Re-Mi video below:

The solfège syllables for all notes of the scale are shown below:

Major scale degree Mova. do solfège syllable # of half steps from Do Trad. pron.
1 Do 0 /doʊ/
Raised 1 Di 1 /diː/
Lowered 2 Ra 1 /ɹɑː/
2 Re 2 /ɹeɪ/
Raised 2 Ri 3 /ɹiː/
Lowered 3 Me (& Ma) 3 /meɪ/ (/mɑː/)
3 Mi 4 /miː/
4 Fa 5 /fɑː/
Raised 4 Fi 6 /fiː/
Lowered 5 Se 6 /seɪ/
5 Sol 7 /soʊ/
Raised 5 Si 8 /siː/
Lowered 6 Le (& Lo) 8 /leɪ/ (/loʊ/)
6 La 9 /lɑː/
Raised 6 Li 10 /liː/
Lowered 7 Te (& Ta) 10 /teɪ/ (/tɑː/)
7 Ti 11 /tiː/

That’s all for now. Till next time, happy music learning.

References

Tonic sol-fa. Wikipedia. https://en.wikipedia.org/wiki/Tonic_sol-fa
Solfège. Wikipedia. https://en.wikipedia.org/wiki/Solf%C3%A8ge

How to record your piano from overhead

Hi folks,

In this article I go over how to record yourself playing a piano from overhead using a smartphone camera.

I got inspiration by watching this very useful video on YouTube:

The EASIEST Way to Record Piano OVERHEAD (with a PHONE!📱)

All I had to do was follow the instructions there and I could get mine set up.

The four components needed are

  1. A smartphone with a camera
  2. Tripod boom mic stand
  3. Phone adapter
  4. Ball head adapter

Setup Procedure

  1. Set up the mic stand
  2. Attach the ball head adapter to the mic stand
  3. Attach the phone adapter to the ball head adapter
  4. Mount your phone into the phone adapter.

Below are Amazon links to the last 3 components should you wish to purchase them.

GLEAM Microphone Stand – Tripod Boom Mic Stand with Carrying Bag (Tripod)
https://www.amazon.co.uk/dp/B082285YXD?psc=1&ref=ppx_yo2ov_dt_b_product_details

H&S Mobile Phone Tripod Mount Holder Adapter Bracket Smartphone Clamp for Ring Light iPhone Samsung 360° Rotation
https://www.amazon.co.uk/dp/B07DZHXPL6?psc=1&ref=ppx_yo2ov_dt_b_product_details

Neewer Video Camera Digital Recorder Adapter with Mini Ball Head-360 Degree Pan and 180 Degree Tilt Movement for Connecting 1/4-inch Thread Camera, Camcorder, Recorder with 5/8-inch Mic Stand or Boom
https://www.amazon.co.uk/dp/B07571NL5G?psc=1&ref=ppx_yo2ov_dt_b_product_details

That’s all for now. Till next time, happy music production.

Circle of Fourths and the Number System

Hi Folks,

Here’s a quick interesting observation about circle of fourths and the number system in music.

If you move in fourth intervals in a given key, you will follow the pattern:

7 – 3 – 6 – 2 – 5 – 1 – 4 – ♭7 – ♭3 – ♭6 – ♭2 – ♭5

and then the circle repeats.

This means if you start at the 7th tone of the scale, e.g. B in the key of C, then move by a fourth interval, you will reach the 3rd tone of the scale, e.g. E in the key of C, etc.

Thus by memorizing this number pattern, you have a way of knowing where the next key falls on the scale when you move by a fourth.

That’s all for now. Till next time, happy music learning.

Song: My God is good

Hi folks,

In this post I share a new song I just composed. It’s been on my mind for a few days so I decided to record it once and for all and share.

It’s a song I created to reflect my gratitude to God for being so good to me so far.

Here’s the recording.

The lyrics of the song is:

My God is good
Every day
My God is good
Every day my God is good
My God is good

God is full of grace
Every day
He makes me to succeed
In what I lay my hands upon
God is full of grace

God is merciful
Every day
He forgives me of my sings
Every day he’s merciful
God is merciful

My God is good
Every day
My God is good
Every day my God is good
My God is good

Here’s how you play the song on the piano.

First, it’s in the key of A major.

On the left hand you essentially play 2 chords: Amajor7 and Gmajor7 both in root position, sometimes with a run up to the chord

Each bar has 4 beats

It’s played as

Amajor7 Amajor7 Amajor7 (2 beats)
Amajor7 Amajor7 Amajor7 (2 beats)

i.e. the third instance of the chord is played for 2 beats.

So in short you play a 1 major7 chord and ♭7 major7 chord

Verse 1

Voice My God is good
RH E C♯ B A C♯
LH Amajor7 Amajor7 Amajor7
Voice E ve ry day
RH C♯ E F♯ C♯
LH Amajor7 Amajor7 Amajor7
Voice My God is good
RH F♯ C♯ B A C♯
LH Amajor7 Amajor7 Amajor7
Voice E ve ry day my God is good
RH C♯ E F♯ A F♯ C♯ A B
LH Amajor7 Amajor7 Amajor7
Voice
RH G A B A G E D
LH Gmajor7 Gmajor7 Gmajor7
Voice My God is good
RH E E C♯ B A C♯
LH Gmajor7 Gmajor7 Gmajor7
Voice
RH G♯ E F♯
LH Amajor7 Amajor7 Amajor7
Voice
RH C♯ E
LH Amajor7 Amajor7 Amajor7

Instrumental verse

Voice
RH G♯ B C♯ E F♯ G♯
LH Amajor7 Amajor7 Amajor7
Voice
RH F♯ E C♯ B A
LH Amajor7 Amajor7 Amajor7
Voice
RH G♯ B C♯ E F♯ G♯
LH Amajor7 Amajor7 Amajor7
Voice
RH G♯ E C♯ F♯
LH Amajor7 Amajor7 Amajor7
Voice
RH E D
LH Gmajor7 Gmajor7 Gmajor7
Voice
RH E
LH Gmajor7 Gmajor7 Gmajor7
Voice
RH
LH Amajor7 Amajor7 Amajor7
Voice
RH
LH E F♯ Amajor7 Amajor7 Amajor7

The remaining verses have the same instrumental.

That’s all for now. Happy listening.

Song: Oh My!

Hi folks,

In this post I share a new relaxing song I composed recently while practicing on the piano. It’s titled Oh My!

It is in G♭ pentatonic scale.

On the right hand I play just one single chord: G♭9 (add 6) – that is D♭ E♭ G♭ A♭ B♭

Each line comprises 4 beats. The right hand chord is played on every beat, except on the last verse where we play the chord once per line.

On the left hand I play the melody.

Here’s the recording of the song.

And here is the transcription of the melody.

E♭ E♭ E♭ E♭

D♭ D♭ D♭ D♭

B♭ B♭ B♭ B♭

E♭

E♭ G♭ A♭ B♭ B♭

D♭ E♭ G♭ A♭ A♭

B♭ D♭ E♭ G♭ G♭

E♭

E♭ B♭ A♭ G♭ E♭ E♭

D♭ A♭ G♭ E♭ D♭ D♭

B♭ G♭ E♭ D♭

E♭

E♭ G♭ A♭ B♭ D♭ B♭

D♭ E♭ G♭ A♭ B♭ B♭

B♭ D♭ E♭ G♭ A♭ A♭

E♭

E♭ G♭ A♭ B♭ A♭ G♭

D♭ E♭ G♭ A♭ G♭ A♭

B♭ D♭ E♭ G♭ E♭ D♭

E♭

E♭ B♭ A♭ G♭ E♭ E♭

D♭ A♭ G♭ E♭ D♭ D♭

B♭ G♭ E♭ D♭ D♭

E♭

E♭ G♭ A♭ B♭

D♭ E♭ G♭ A♭

B♭ D♭ E♭ G♭

E♭

E♭

D♭

B♭

E♭

That’s all for now. Happy listening.

Song – L’abe Igi Orombo

Hi folks,

In this post I share a children’s song I used to sing a long time ago when I was a little kid. It’s a folksong from Nigeria titled L’abe igi Orombo. This song is in Yoruba and means “Under the orange tree.” I just remembered this song while practicing on the piano and thought I would record myself singing and playing the song on the piano and share with you. So, first, here are the lyrics of the song in its original form, Yoruba:

L’abe igi orombo

L’abe igi orombo
N’ibe l’agbe nsere wa
Inu wa dun, ara wa ya
L’abe igi orombo

Here is the song translated in English

Under the Orange Tree

Under the orange tree
Where we play our games
We are happy, we are excited
Under the orange tree

Here is my recording of the song:

Finally, here are the notes that go with the song. Note: the song is in the key of Cmajor.

L’a be i gi o rom bo
RH Cmaj (E G C) Cmaj (E G C) Cmaj (G C E) Cmaj (C E G) Cmaj (G C E) Dmin (F A D) Cmaj (E G C)
LH C G C
Ni be l’a gben se re wa
RH Cmaj (E G C) Cmaj (E G C) Cmaj (G C E) Cmaj (C E G) Fmaj (A C F) Cmaj (G C E) Dmin (F A D)
LH C F G
i nu wa dun a ra wa ya
RH Cmaj (E G C) Cmaj (E G C) Cmaj (E G C) Cmaj (C E G) Fmaj (C F A) Fmaj (C F A) Fmaj (C F A) Cmaj (C E G)
LH C C D E (base run) F A
L’a be i gi o rom bo
RH Dmin7 (D F A C) Dmin7 (D F A C) Cmaj (G C E) Cmaj (C E G Cmaj (G C E) Dmin (F A D) Cmaj (E G C)
LH D G C

Enjoy the music.

Till next time.

How to play praise music on the piano

Hi folks,

In this post I will discuss how to play pray praise music on the piano.  When I say praise music, I don’t mean just any praise music. Rather, I mean the hand clapping, toe tapping, foot stumping, finger snapping praise music. I am currently taking a course called Gospel Music 300, from Hear and Play where I am learning this technique.

There are 5 parts to praise music. They are parts A, B, C, D and E.

Part A consists of a base run on the left hand and some progressions on the right hand, all in the key of the song. So, if your song is in the key of A♭ major, then part A will be a base run and other progressions in the key of A♭.

Part B of praise songs consists of a base run and some other progressions on the 4th tone of the key of the song. So, if your song is in the key of A♭ major, then part B will be in the key of D&flat. since D♭ is the 4th tone of A♭ major scale.

There are many praise songs that use just part A and B. These are usually call-and-response type of songs where the singer or choir calls out something and the congregation responseds all in a rhythmic fashion.

Songs that use parts A and B

God is a good God

Have you tried Jesus

Praise the lord everybody

I don’t know what you’ve come to do

I’m a soldier in the army of the lord

I get joy when I think what he’s done for me

What you know about Jesus

I’m not tired yet

If you call on Jesus (he will answer prayer)

Take the Lord with you (everywhere you go)

If you can’t tell it, let me tell it

Lay your hands on me Jesus

In part C we do a 7-3-6 progression. That is, we play a chord from the 7th tone of the key of the song, to the third tone, to the 6th tone. Then you can walk up from 3 to 5 by half tones. That is, 3, 4, ♭5, 5.

Songs that use parts C and D

Can’t nobody do me like Jesus

When I woke up this morning

Jesus is on the main line

Praise him praise him

I believe I testify

Bless that wonderful name of Jesus

One glad morning

Glory glory haleluya when I lay my burdens down

I’m on the battle field for my lord

Jesus I’ll never forget

I’m so glad Jesus lifted me

99 1/2 won’t do

Jesus getting us ready for that great day

Par E can be thought of as the vamp.

That is, it is a short passage of music that you repeat until the end of the song. Usually you focus on the 1 and 4 tones in part E.

Some songs that use just part E

Jesus Said It

What’s his name (Jesus)

My soul is a witness

Believe on me

I’ve come to praise his name

He’s been good

What a mighty God we serve

He’s the joy of my salvation

Jesus can work it out

He’s been good

Some songs that mix it up a bit

What a mighty God we serve

Victory, victory shall be mine

Victory is mine

He’s the joy of my salvation.

That’s all for now. Till next time. Keep jamming.

O Come, All Ye Faithful – Piano Composition

O Come, All Ye Faithful – Piano Composition

Hi folks,

Today I will share how to play the song O Come, all Ye Faithful. I will add a recording of how I play it, lyrics, notes and chords for the song. First, I will show the notes in D major, then I will show it again using the number system. This way, you can transcribe the song to any key easily. Using these, you should also be able to easily play the song as per the recording. Note that you will want to play chords to harmonize the notes where appropriate. You could use single notes for the base runs on the left hand.

First, here is the recording of the song:

Now here are the lyrics of the song:

O come, all ye faithful

Joyful and triumphant

O come ye, o come ye to Bethlehem

Come and behold Him

Born the King of Angels!

O come, let us adore Him

O come, let us adore Him

O come, let us adore Him

Christ the Lord

Now here is the song with notes in the key of D major

O come all ye faith ful
RH D D A D E A
LH D A
Joy ful and tri um phant
RH F E F G F E
LH D E F G A
O come ye o co ome ye to Be eth le hem
RH D D C B C D E F C B A A
LH B C D E D C B A E A E A A
Come and be hold Him
RH A G F G F
LH D D
Born the King of A an gels
RH E F D E C B A
LH C D C B A E A
O come let us a dore Him
RH D D C D E D A
LH D D
O come let us a dore Him
RH F F E F G F E
LH D E F G A
O come let us a dore Hi im
RH F G F E D C D G
LH E F G G A A B E
Chri ist the Lord
RH F E D D
LH A D

Finally, here is the song using number system:

O come all ye faith ful
RH 1 1 5 1 2 5
LH 1 5
Joy ful and tri um phant
RH 3 2 3 4 3 2
LH 1 2 3 4 5
O come ye o co ome ye to Be eth le hem
RH 1 1 7 6 7 1 2 3 7 6 5 5
LH 671 2 1 7 6 5 2 5 2 5 5
Come and be hold Him
RH 5 4 3 4 3
LH 1 1
Born the King of A an gels
RH 2 3 1 2 7 6 5
LH 7 1 76 5 2 5
O come let us a dore Him
RH 1 1 7 1 2 1 5
LH 1 1
O come let us a dore Him
RH 3 3 2 3 4 3 2
LH 1 2 3 4 5
O come let us a dore Hi im
RH 3 4 3 2 1 7 1 4
LH 2 3 4 ♭5 5 ♭6 6 2
Chri ist the Lord
RH 3 2 1 1
LH 5 1

That’s all for now. Till next time, happy piano playing.

The importance of perseverance and vision

Hi folks

Today I will like to talk about a few important concepts that are very important when practicing music. These apply to not just music actually, but to any endeavour in life. They are perseverance and vision.

A few days ago I was practicing how to harmonise every tone in all major scales (one scale at a time) when I realised I was moving a little too fast. I would practice for a short while, become marginally better and jump to the next key.

Then I got to stop and question myself: is this the right way to practice? What will I really gain after going through all keys this way? Will I really have anything tangible to show for it? And my answer to this was a resounding no.

So I got back to the basics of what practice should be about, which I share here.

Before beginning practice it is necessary to have a clear vision of what you want to accomplish after practice. Sit and visualise it. E.g if you want to become fluent in playing a certain progression, imagine what it would be like to play that progression with the fluency you desire.

Next, keep practicing until you reach the goal you visualised. As long as your goal is a realistic one, you must persevere through practice as you gradually become more skilful in your craft and reach your goal. Do not get tempted to jump on to other things until your practice goal comes to fruition. It could take a week or even more to become fluent in certain routines, e.g. playing certain triads, scales, arpeggios, etc. 

Keeping these two principles in mind should make for more effective practice.

That’s all for now. Till next time.

How to use a Diminished chord in a 1-6 progression

When going from 1 down to a 6, you can play substitute the 6 part with a 1diminished chord over flat 5.

E.g. In the key of Cmajor if you are playing a 1-6-5 melody from a C to A and then G, on the right hand you play

C C+D#+F#+A C+E+G

On the left hand you play 1 flat5 5. In the key of C that will be from a C to F# to G.

Recording coming soon.

Till next time.